lp incl. download card

re-release! 2x12 inch + dl , gute luft is the result of months of work scoring the hit german tv film 24h berlin - the longest documentary film in history which featured 80 camera teams following the lives of berliners over a 24 hour period. obviously a huge challenge for fehlmann, beyond the scope of the project and hours of music involved in a 24 hour film, there was dealing with the decision making process that went with working with such a large production team. as he shared scoring duties with another musician (separately), inevitably a lot of his music ended up not making the final cut. gute luft is about re-tweaking and editing material from the countless hours of recording he had created. in a sense, gute luft is fehlmanns ideal soundtrack to the 24h berlin documentary.

thomas fehlmanns filmmusik zum dokumentarfilm von volker heise. die vinyl-lp erscheint inklusive downloadcode.

los lagos ist das siebte soloalbum von thomas fehlmann, sein viertes für kompakt nach seinem berlin-album gute luft von 2010.

tresor records is proud to announce a new commission, bringing together two of its most time-honored contributors. berlin’s thomas fehlmann and detroit’s terrence dixon came together in detroit to produce this expressive album. an avant-premiere live performance of this album was presented at tresor’s annual detroit showcase in may 2017. composed of six titles and exploring a wide range of rhythms and emotions, “we take it from here” is a celebration of resilience, patience, creativity and devotion.

fehlmann put his fine-grained trademark sound back on its feet & reintroduce himself to club culture.

thomas fehlmann is integral to kompakt and the labels history. his solo releases and collaborative work with alex patterson as the orb have been some of the kompakts most revered and cherished tunes. following the success of his 2010 full length gute luft (a collection of re-edited versions from his score to the hit documentary 24hr berlin), we start 2011 off with titan one / dfm. on october 16, 2010 thomas fehlmann performed in montreal, canada at the historic molson coors brewery building together with members of the montreal symphony orchestra (osm). together they sought to recreate a version of gustav mahlers classic symphony no. 1 (titan). kompakt is proud to now offer a new recording inspired by that epic concert of symphonic and electronic with a new recording inspired from that performance – renamed as titan one. the hum of cellos and strings conjoin fehlmanns electronics – held together by the sublime, unobtrusive thump of a bass drum. titan one flows with a beauty and edacity that is rarely heard in both classical and electronic music form. the b-side features a new recording inspired from the second piece of the performance - a new version of thomas fehlmanns du fehlst mir from his 2006 kompakt full length visions of blah. reanimated as dfm, the piece again conjoins the different musical worlds in a way we have never heard to such a high standard. a much more upbeat affair than to titan one (of course) bass and keyboards mingle with the symphony the playfulness of the original song rolls throughout dfm. whether as palais schaumberg, the orb, or 3mb (to name only a few alias). fehlmann may have 3 decades of professional recordings under his belt but he continues to prove to the world as being one of the most fascinating and creatively open musicians in his field. this release clearly proves his story is far from over.

(gute luft) leaves a soothing emotional residue. taken as a whole, gute luft sounds like a continuation rather than a culmination of thomas fehlmanns rich career. hes not out of ideas yet. in fact, they just keep getting more interesting. – resident advisor

fehlmanns stücke verbinden mühelos die unterschiedlichsten stil-zitate zwischen tek und dub, zwischen kunst und pop, zwischen himmel und erde und bedienen dabei auch das ein- oder andere tanzbein

6 wunderbar atmospherische von thomas fehlmann wunderbare symbiose aus shuffle tech beats und ambient synthies

welcome back to the first thomas fehlmann solo record after the atomic the orb full length. fehlmann strikes dancers hearts with his laser and scalpel in hand. >the road< is a rocking shuffeld trip over the route 66 of techno !! >powdered< comes in the signature fehlmann style, the bside sets off with the dubby influenced >dusted< and the final track >pristine< goes totally off, directed right to your dancefloor overdrive..

japanisches popprojekt in 2 lockeren remixen. teil 1 von 3. es folgen u. schnauss & t. brinkmann

die heilige fehlmannsche dreifaltigkeit: tiefer techno, schaffel & ambient. darauf einen dujardin!

zarte minimal tracks der eleganten sorte!! incl eines schaffeltracks !!!

cool minimal tech trax / incl filmusikreifer ambienttrack

soundtrack zu der von matthias luthardt gedrehten dokumentation >herbst 1929, schatten Ÿber babylon<

los lagos ist das siebte soloalbum von thomas fehlmann, sein viertes fŸr kompakt nach seinem berlin-album gute luft von 2010.

fehlmann clearly succeeds in synergizing the best of the past 20 years of berlins expansive history of electronic and dance music with gute luft. a recreational album in every way in which he hopes will make you >feel at peace with you and your environment, inspire you to lush, imaginative dinners, make babies, or just walk your own way with open eyes<. well put thomas!

country

singer / songwriter

indie dance / nu disco / electronica

why can t we live together ist ein song, der 1972 von timmy thomas geschrieben und aufgenommen wurde. im darauffolgenden jahr war er ein chart-hit und wurde auf dem album why can t we live together veröffentlicht. es war einer der ersten großen hits, bei dem eine rhythmusmaschine zum einsatz kam!

black vinyl. making a comeback to kontakt, thomas p. heckmann unveils the latest chapter under his metric system moniker. the release showcases a fresh composition with distinctive chords and reveals a hypnotic, unreleased gem from the tph vault. vril has crafted a sublime, bass-heavy treatment of >soul 440< drawing inspiration from the distinctive soul of minimal detroit house. limited color edition.

marbled vinyl. making a comeback to kontakt, thomas p. heckmann unveils the latest chapter under his metric system moniker. the release showcases a fresh composition with distinctive chords and reveals a hypnotic, unreleased gem from the tph vault. vril has crafted a sublime, bass-heavy treatment of >soul 440< drawing inspiration from the distinctive soul of minimal detroit house. limited color edition.

marbled vinyl. making a comeback to kontakt, thomas p. heckmann unveils the latest chapter under his metric system moniker. the release showcases a fresh composition with distinctive chords and reveals a hypnotic, unreleased gem from the tph vault. vril has crafted a sublime, bass-heavy treatment of >soul 440< drawing inspiration from the distinctive soul of minimal detroit house. limited color edition.

2024 new version plus original version from 1993 p